October Poetry News

Photo by Jamie Clifford

Extract(s) Interview: Three Questions

Thanks to Jenn Monroe at  Extract (s): Daily dose of lit, an interview is up based on the poems in the Camelot Section of November Butterfly:

The manner in which Guinevere haunted me, questions of sentimentality, and the way my husband found me among other topics covered. Here's an excerpt:

Guinevere found me again just after graduate school in the heartland, when a childhood friend proposed to me. He saw Sir Edmond Blair Leighton’s drawing, “The Accolade” (which we construed to depict Guinevere knighting a kneeling Lancelot) in my home, which I’d brought home from the crystal and gem store where I worked part time in Iowa City. He playfully suggested that we marry in costume. What poet could refuse?

Read the rest of the interview here: Three Questions, Tania Pryputniewicz  (Oct 2016 update: I've re-run the interview here on my main site: Thirteen Prompts for November Butterfly and Three Questions.

Excerpt(s) also ran Veil, Veil II, and Transport from November Butterfly in May of this year.

Photo by Robyn Beattie

Poetry Play: A Tour of the Forms, In Person at San Diego Writers, Ink

This class is a joy to teach and according to my students, a joy to take; please do join me for this four-hour workshop coming up:

10-2

Tuesday October 20, 2015

$60 members, $72 non-members

Do you haiku? Ever written a haibun, aubade, or villanelle? Want to try your hand at a sestina or a sonnet? During this one-day workshop we will fearlessly and playfully write our way towards working drafts of as many of the forms as we can.

We’ll start with the deceptively simple but evocative gem of haiku. Then we’ll breathe into the slightly pithier prose lead required of the haibun with its haiku chaser. Next up: dawn songs (otherwise known as aubades) for a love lost or left at sunrise. And then, hearts astir, we turn to the gift of intricate form and the unusual word choices form often invites. We will draft sestinas, sonnets and villanelles.

To sign up and read rest of course description visit Poetry Play: A Tour of the Forms

Poetry Movie Screenings for November Butterfly in Sonoma County

My poetry movie collaborator Robyn Beattie will be presenting a film screening of five of our poetry movies as part of the Guerneville Library Fall Art Show that opens Friday, October 2 at 3 p.m. Robyn will be screening our poetry movies from 6:30-7:30 p.m. on Wednesday, October 7 and Wednesday October 14. Robyn will read the poems, show the movies, and discuss her images. Movie titles:

She Dressed in a Hurry, Lady Di

Amelia

Mordred’s Dream

Thumbeline

The Corridor, Guinevere to her Mother

If you are unable to attend the screenings, you can access the movies and learn about our collaborative process on my main website: Photo Poem Montages. Guerneville Library is located at 14107 Armstrong Woods Rd., Guerneville, CA, 95446.

Coronado Writers Workshop

Just got the heads up that the Coronado Writer's Workshop is this weekend, as in tomorrow. For more information, try this link: 2015 Coronado Writers Workshop.

Stasis to Radiance: April Celebrations at Feral Mom

Tania Pryputniewicz
Photo Patrick Lizza

Occidental Center for the Arts November Butterfly Poetry/Movie/Art Launch Success

What a busy month—crowned by a beautiful weekend in Sonoma County at Occidental Center for the Arts. I’ll be posting video footage from the event later when we edit it (thanks to Peter Pryputniewicz and Patrick Lizza on camera), but for now, I wanted to share this photo taken by the banks of Austin Creek in the green heart of Russian River land. Patrick and my poetry movie collaborator Robyn Beattie helped me overcome some stage fright. Though the takes of the title poem, November Butterfly, were trumped by nature’s rushing water, reciting the poem so many times for the camera made for a no-nerves live performance in front of my home crowd (with my father on piano). I feel the photo captures my love for words and the river.

Photo Robyn Beattie
Cover Design Don Mitchell

Tweetspeak Poetry Reviews November Butterfly

I came home to San Diego to a new review of November Butterfly (Saddle Road Press, 2014) by Glynn Young (thank you Tweetspeak!). Young chose to focus on the poem, Mordred’s Dream, a Refusal from the Camelot section of the book:

In the poem, Mordred is refusing his mother’s demand that he betray Arthur. But the fact that the title indicates this is a dream, and the subtitle “A Refusal” doesn’t preclude a later acceptance, moves the figure of Mordred into a different place. He knows what she is asking is a terrible wrong, even if it is “only” a dream. –Glynn Young, Poets and Poems: Tania Pryputniewicz and November Butterfly, Tweetspeak Poetry

You can read rest of review here: Poetry From Poets and Poems: Tania Pryputniewicz and November Butterfly. Tweetspeak offers a rich newsletter, ongoing poetry prompts, and a diverse and lively comment community should you be looking for conversation and inspiration. Tweetspeak is looking for poems about blue jeans...read about it here, post your poem in their comments: Show Us Your (Poetry) Jeans.

Tarot Writing Class Forming: Wheel of Archetypal Selves: Hanged One to Star

We just finished a rich and fertile trek through Wheel of Archetypal Selves: Lovers to Strength, focusing on Arcanum VI to Arcanum XI. Join me May 18 for the next Wheel of Archetypal Selves Tarot Writing course, Stasis to Radiance: Hanged One to Star (Arcanum XII to Arcanum XVII). We spend one week on each Major, writing to our associations and considering the interpretations of a variety of Tarot scholars. We journal our way closer to a lived understanding of the cards, sometimes writing essays, poetry, or reveries of unnamed form. Our new class is taking shape as we speak; join us online. To sign up, visit Story Circle Network: Wheel of Archetypal Selves: Hanged One to Star.

Liz Brennan and Tania Pryputniewicz

Call for Atlas of Goodbyes at Perhaps, Maybe

Liz Brennan is looking for prose poem submissions for her Atlas of Goodbye Series. Here’s a link to the first one she wrote, Atlas of Goodbye #1, which begins:

"Perhaps I feel your absence today in a loosening lull in the rain after a clap of thunder shakes the upper windows..."

And a link to the one I wrote, starring, at his request, my husband: Atlas of Goodbye #2, which begins:

"Perhaps I feel your absence more keenly beside you four months before we marry in February chill of river house..."

And a link to one by Tess P., Atlas of Goodbyes #3:

"Perhaps it is a small gesture that we practice saying goodbye to you in this way--you are everywhere: postcards, baseball hats, sweatshirts, tote bags, water bottles, coffee cups, Christmas cards and so on..."

Please do write and send one in to Liz!

Sculpture Sandy Frank
Poem by Tania Pryputniewicz

Poetry Sculpture: Sandy Frank’s work at the Annual California Clay Competition, Davis

Sculpture by Sandy Frank will be featured in a show at Davis, California this coming weekend, May 1-3,  for the 26 Annual California Clay Competition Exhibit. Reception: Friday, May 1st, 7-9 p.m. Visit The Artery’s website for more details.

Sculpture by Frank includes this one featuring the poem Someone,  published in November Butterfly (Saddle Road Press, 2014).

If in Davis, stop in and support her work. Here’s a link to my web page where you’ll find notes about our process of sculpture/poetry collaboration and a few more photos of Sandy's poetry sculptures, including one using the words from Selke and Seer sections of the poem A Maritime Trilogy, also published in November Butterfly: Collaborations for Bread. 

Extract(s) selects three Poems from November Butterfly:

Veil, Veil II and Transport will appear at Extract(s) later in May; I will post a link as soon as it goes live. May 11 update: Poems live: Guinevere reflects on her abduction, Guinevere to Lancelot, and Lancelot Grieves in Veil, Veil II and Transport.

Edith O'Nuallain

Mother Writer Mentor

New post is up by Edith O’ Nuallain, across the sea from her home in Ireland; her post is all about Mining the Unbliss of Motherhood and the realities of forging a writer’s identity while raising children. 

Edith writes: "I used to imagine that all my favourite female saints and mystics, those dead fore-sisters from the paeans of my Catholic childhood were rushing past me, brushing my lips, my cheeks, my hair with the vestiges of their silent presence. Then I felt as if I was flying, soaring through the skies of my imagined paradise..." 

Read rest of her post here: Mining the Unbliss of Motherhood and do stop and leave her a comment, or write us your own guest post and let us know how you stay sane, thrive, love your children, and love your way to your own writing.