Do you write
poetry? Teach poetry? I’m looking for support this month for Saddle Road Press
and November Butterfly. In
celebration of November Butterfly’s 2 year birthday (November 1), I’ve put together
a lovely give-away—a 15 page companion prompt PDF titled, Thirteen Writing Prompts Based on the Power and Creativity of Iconic
Women Designed to Help You Write New
Work from Multiple Points of View. You’ll find prompts, beautiful image
stills from the poetry movies I made in collaboration with Robyn Beattie, and links to additional resources for:
- Marilyn Monroe
- Sylvia Plath
- Amelia Earhart
- Jay DeFeo
- The Three Sister of the Three Oranges
- Nabokov’s Lolita
- Lady Diana
- Thumbelina
- Ophelia
- Jeanne D’Arc
- Nefertiti
- Mordred
- Guinevere.
Photo by Robyn Beattie |
Here’s how it works:
Buy the Kindle edition of November Butterfly; priced at $4.99.
Contact me
through my contact page to let me know you supported me in this way and I’ll
email you the PDF.
Keep me in the
loop—I’d love to know how you found use for Thirteen
Prompts and of course, I welcome any feedback regarding how to improve the
PDF.
To learn more
about November Butterfly’s themes, read the full interview, conducted by Casey
Cromwell at SDWI, excerpted below:
San Diego Writers, Ink: What is/was your favorite part about including famous
females like Marilyn Monroe or Joan of Arc into your poetry, as you do in your
first poetry collection, November Butterfly?
Photo by Robyn Beattie |
Tania Pryputniewicz: Including
famous women gave me a chance to continue a conversation they started with our
culture and with us about what it means to be female, powerful, charismatic and
vulnerable. I could riff, for example, on Joan of Arc’s renegade relationship
to her spirituality and call it part of a “disintegrate spin of ecstasy.” I
could listen to Marilyn; might she have said from the “other side,” “No girl
sets out to die?” I describe that kind of listening and imagining into the
lives of others as a form of astral rubbernecking in a post I wrote before book
tour last year.
Read full SDWI interview here.
Or visit my page
at Saddle Road Press.
Here’s a link to
a second interview, Three Questions, on my main site.
Photo by Robyn Beattie |
Theme, Set, Go at San Diego Writers, Ink
Workshop: Poems about Music
I am also very actively
recruiting poets in San Diego to come to my First Tuesday of the month themed
poetry workshop. I love teaching it and working with poets. Please do pass it
on—and bring a friend. Walk-ins welcome. We meet from 10-12 noon at Liberty
Station; next class is Tuesday, October 4, 2014. You’ll do some writing, some
reading of poetry aloud, and you’ll come away with exercises to complete during
the month. Open to all level of writer.
This month’s
theme is Music…poems about music and poems rich with musicality. We will read
God’s Grandeur aloud (who can resist Hopkins! That “ooze of oil” and “shining
from shook foil”!” Or the tongue twister of “Why do men then now not reck his
rod?” Say that ten times fast!
Here’s a further
sampling of poems we will read aloud: “What Makes This Neighborhood Sing,” from
Lisa Rizzo’s forthcoming Always a Blue House (Saddle Road Press), “Chamber Music,” by Barbara Rockman, “A Raga
from Orpheus,” by Jeffrey Davis (The Coat Thief, Saint Julian Press, 2016), and
“For Circe,” by Ruth Thompson from Woman with Crows. (Rockman, Rizzo, and
Thompson are authors I met at AROHO and Jeffrey Davis is a fellow poet I met
through Tracking Wonder.)
Hope to see you there...do bring
your favorite music-themed or musically vivid poem to share with us, a friend,
and a pad of paper to fill with your own words. Sign up here at First Tuesday: Theme, Set, Go, or pay when you walk in ($30 a session for SDWI
members, $36 for non-members).
Related links:
An additional way to support my work is to sign up for my Wheel of Archetypal Selves monthly newsletter with Poetry and Tarot related news and writing tips.
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