I met Victoria several years ago over at She Writes when I joined the invaluable writing thread she hosts at She Writes, titled Mother Writer!, and conversely, I invited Victoria to put up our very first guest post at Mother, Writer, Mentor: A Straw Hat for Mama; I hope you’ll stop by and give her a read and a comment if you are in the mood.
To create the photo poem montage Amelia, I had the continued luxury of working with the beautiful photos of Robyn Beattie. How to convey an expansive sky, but without using sky photos per se? How to imply the body but not use the human body? We are up to our usual tricks in this montage, abalone sky, metal sculpture for body, the work of several Sonoma County artists slipped in too: Loreen Barry (butterfly) and Monty Monty (look for his tiny dark bronze-colored airplane, as well as the shadow of one of his other sculptures across a wall in muted beige tones). I may be somewhat tethered to the domestic monastery, but Robyn—her eyes do the ferreting when I can’t during these projects.
New to this collaboration: original guitar music by Michael Greenberg, who I have to thank here for recording the tracks for She Dressed in a Hurry (for Lady Di) and Nefertiti on the Astral as well as a number of tracks for upcoming photo montages in the works. Not only did we pull Michael into our creative process with his original guitar score, but his wife (our friendship goes back to high school), as my voice was shot the day we went to record. Lori O'Hara , a talented writer and blogger herself, stepped up to the plate and hence we have her dreamy, smooth voice reading the poem.
At one point in our process last year, a sensationalist article made it into Yahoo’s headlines reporting the possible discovery of Amelia Earhart’s remains on a South Pacific island, but when I “fell for it” and followed the link, the article quickly degenerated into trivia: were the remains in fact turtle parts, and what to make of the random make-up found nearby, raising questions concerning Earhart’s make-up product use…
I have little faith our Amelia would bring such vanities onto her airplane; she doesn’t strike me as the type, rugged beauty that she was. But Robyn and I both enjoyed the nod to the montage we were quietly, secretly making. Perhaps, more likely, Amelia would don a scarf…if you want a bit of the read deal, here’s her actual scarf (San Diego Air and Space Museum), though it’s a shame it isn’t gracing the neck of an aviatrix right now…
2 comments:
What a lovely collection of people working together on this project! I can only imagine how much fun it is to put your heads together and see what you come up with. Thanks so much for sharing and for stopping by my blog yesterday.
Thank you Kari, I love the process of making these montages. It is a gift to have the chance to work not only with Robyn's images, but with Lori and Michael, as well as my father (on piano for Lady Di and Nefertiti).
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